Past Rough Gems

  • Out of Time - exhibition installation view guest curated by J. Benjamin Burney (Zoid Hæm) for Union Hall's Rough Gems 2025 Program

    Rough Gems 2025 - Out of Time: Imagining the Future of America

    March 27 — April 19, 2025

    Curated by J. Benjamin Burney, Out of Time examines how artists who work in painting, sculpture, mixed media, and photography, envision speculative futures while grappling with America’s complex past. Through the power of visual representation, these works challenge historical narratives, question societal norms, and propose bold new realities.

  • Mixed Media collage on paper by Jessica Buie - as seen in RUINS exhibition at Union Hall's Rough Gems 2025 Program - guest curated by Nathan Story

    Rough Gems 2025 - RUINS: PERFORMING QUEER HISTORY

    February 20 — March 15, 2025

    Curated by Nathan Storey, this exhibition features six interdisciplinary artists that search for their fragmentary pieces and reimagine queer constellations as they unearth LGBTQ+ histories. They grapple with their collective pasts, allowing them to look toward queer futures.

  • Abstract designed organically shaped quilt by Camille Garcia - as seen in Transnavigation exhibition at Union Hall's Rough Gems 2025 Program - guest curated by Rae Richards

    Rough Gems 2025 - Transnavigation: Coming Into the Body as Home

    January 16 — February 8, 2025

    Curated by Rae Richards, Transnavigation investigates how trans jewelers are navigating their bodies and the world their bodies exist in—whether through reinterpreting tools, inventing alternate ways of being, revisiting ancestral practices.

  • Brightly painted rocking horse sculpture by Gabriel Hutchings - as seen in Union Hall's 2024 Rough Gems Program exhibition Laugh Lines - guest curated by Zak Ashburn

    Rough Gems 2024: Laugh Lines

    March 28 - April 20, 2024

    Curated by Zak Ashburn, Laugh Lines is a thought-provoking and transformative group exhibition that challenges societal norms through the lens of humor. This dynamic showcase delves into cultural critiques, using humor as a multilayered tool to expose truth, darkness, love, and more.

  • Delicate, black transparent textile by Lindsay Smith Gustave - as seen in Union Hall's 2024 exhibition To Offer/To Leave - guest curated by Kiera McIntosh

    Rough Gems 2024: To Offer/To Leave

    February 22 — March 16, 2024

    Curated by Kiera McIntosh, To Offer/To Leave, aesthetically and thematically inspired by the tales of Shakespeare’s character Ophelia and Tchaikovsky’s Swan Lake, showcases a moment in time after a decision of withdrawal has been made. Through the thoughtful inclusion of light, sound, and aromatic sculpture the viewer plays witness to the tale before them within a space contemplation.

  • Exhibition installation view of Dirty Abstraction - guest curated by Jennifer Lord for Union Hall's 2024 Rough Gems Program

    Rough Gems 2024: Dirty Abstraction

    January 18 — February 10, 2024

    Curated by Jennifer Lord, Dirty Abstraction proposes an abstraction that communicates and contains cultural, ecological, political, and/or spiritual content. It is abstraction that pushes against traditional notions of pure form and into critical content. The exhibition explores the contradiction of does it matter / it doesn’t matter how much the viewer gets.

  • Human inside a transparent plastic installation outdoors on a bright, cloudy day. Artwork by Dennis Doyle as a part of Union Hall's 2023 Rough Gems Program - Against Nature guest curated by Shawn C. Simmons

    Rough Gems 2023: Against Nature

    March 30 — April 22, 2023

    Curated by Shawn C. Simmons, Against Nature explores the emerging field of queer ecology in response to prevailing ideas of human versus nature. As we face the climate crisis of today and tomorrow, each featured artist enacts their own utopian vision by reimagining the relationship between queer identity and nature.

  • Adorned pink roller blade with green wheels - artwork by Lizeth Guadalupe - as seen in The Ultimate Boon exhibition as a part of Union Hall's 2023 Rough Gems Program - guest curated by Florence Blackwell and Nadiya Jackson

    Rough Gems 2023: The Ultimate Boon

    February 23 — March 18, 2023

    In conjunction with Denver’s Month of Photography celebration in March 2023, co-curators Nadiya Jackson and Florence Blackwell introduce five artists who have utilized their art to navigate various life-altering experiences to reach their boon. Boon (noun) is a thing that is helpful or beneficial.

  • Furniture placed in a semi-circle in a darkly lit room with multi-media artwork on the walls as a part of the 2023 Rough Gems exhibition Sacrum at Union Hall

    Rough Gems 2023: Sacrum

    January 19 — February 11, 2023

    Curated by Jenny Nagashima, Sacrum unravels the layers of intimacy surrounding the universal yet unnamable sensations experienced in the womb and the complications that arise in the pursuit of recreating those feelings in our daily lives.

  • Custom beaded crop top with abstract design by Salihah Moore - as seen in Union Hall's 2022 Rough Gems exhibition Made Known - guest curated by Nate Craig

    Rough Gems 2022: Made Known

    March 31 — April 23, 2022

    Curated by Nate Craig, the makers, artists, and artisans place themselves, their story, and personhood so intimately into their craft that it is impossible to separate the maker from object.

  • Upcycled organic materials installed on a white wall by Martha Russo - as seen in Union Hall's 2022 Rough Gems exhibition Virga - guest curated by Brook Vann and A Grix - photo courtesy of Wes Magyar

    Rough Gems 2022: VIRGA

    February 24 — March 19, 2022

    Curated by Brook Vann and A Grix, Virga is a collaborative curatorial project based on a relationship between selected artists’ work and the meteorological phenomena of the Virga Cloud.

  • Colorful pencil drawing by Alli Lemon as seen in the exhibition Perception Shift - guest curated by Amy Hoagland for Union Hall's Rough Gems 2022 Program

    Rough Gems 2022: Perception Shift

    January 20 — February 12, 2022

    Curated by Amy Hoagland, Perception Shift investigates how different materials — projected light, shadow, ceramic, graphite, glass, and metal — can work alongside each other to shift the viewer’s way of seeing.

  • Daniel M. Granitto, Marco Cousins, Alejandra Abad in Object Empathy exhibition installation view - guest curated by Kiah Butcher at Union Hall - Rough Gems 2021

    Rough Gems 2021: Object Empathy

    April 1 — April 24, 2021

    Curated by Kiah Butcher, Object Empathy features three Colorado-based artists whose work explores and reimagines sentimentality through intimate and personal practices. Alongside their artworks, personal effects are displayed as ‘human artifacts’ building a bridge between empathy and objectivity.

  • Mirror Mirror exhibition installation view - guest curated by Genevieve Waller and Mary Grace (MG) Bernard at Union Hall - Rough Gems 2021

    Rough Gems 2021: Mirror Mirror

    February 25 — March 20, 2021

    In conjunction with Denver’s Month of Photography celebration in March 2021, curators Genevieve Waller and Mary Grace Bernard present an exhibition of photography, collage and film works by six local artists. Referring to the well-known phrase of the evil stepmother in the Brothers Grimm version of Snow White, the exhibition title conjures ideas of representation, magic, power and narrative.

  • Exclamation Point. exhibition installation view - curated by Alli Lemon at Union Hall for the Rough Gems 2021 Program

    Rough Gems 2021: Exclamation Point.

    January 21 — February 13, 2021

    Curated by Alli Lemon, the works included in Exclamation Point. explore play, joy, rigor, and what it means to make a “painting” in 2021.

  • Exhibtion installation view of artwork on the floor and walls of Union Hall - Robert Martin guest curator for the Rough Gems 2020 Program

    Rough Gems 2020: There is really no difference between art and prayer

    February 26 — March 12, 2020

    Curated by Robert Martin, this exhibition utilizes the subtle strategies employed for display throughout the canon of religious art; such as hanging work slightly above eye level to evoke awe and spotlighting singular works by centering them independently at the ends of corridors, transforming Union Hall into a cathedral of artistic sanctity.

  • NEUwave exhibition installation view - guest curator Kyle Lane at Union Hall-Rough Gems 2020 program

    Rough Gems 2020: NEUwave

    February 5 — February 20, 2020

    NEUwave is a dissertation on motion and emotion, intimacy and peace, connectivity and duality, nurturing and nourishment, self love and self healing. A translation through the lens of poetry, paintings, photography and sound. An introduction to the evolution of the progressive being.

  • Literally Behind exhibition installation view - guest curated by George Perez at Union Hall - Rough Gems 2020 program

    Rough Gems 2020: Literally Behind

    January 15 — January 30, 2020

    Curated by George P. Perez, Literally Behind plays with interior space by utilizing absurd placements of artworks to establish a dynamic and exaggerated installation with domestic materials.

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