Past Exhibitions

  • Out of Time - exhibition installation view guest curated by J. Benjamin Burney (Zoid Hæm) for Union Hall's Rough Gems 2025 Program

    Rough Gems 2025 - Out of Time: Imagining the Future of America

    March 27 — April 19, 2025

    Curated by J. Benjamin Burney, Out of Time examines how artists who work in painting, sculpture, mixed media, and photography, envision speculative futures while grappling with America’s complex past. Through the power of visual representation, these works challenge historical narratives, question societal norms, and propose bold new realities.

  • Mixed Media collage on paper by Jessica Buie - as seen in RUINS exhibition at Union Hall's Rough Gems 2025 Program - guest curated by Nathan Story

    Rough Gems 2025 - RUINS: PERFORMING QUEER HISTORY

    February 20 — March 15, 2025

    Curated by Nathan Storey, this exhibition features six interdisciplinary artists that search for their fragmentary pieces and reimagine queer constellations as they unearth LGBTQ+ histories. They grapple with their collective pasts, allowing them to look toward queer futures.

  • Abstract designed organically shaped quilt by Camille Garcia - as seen in Transnavigation exhibition at Union Hall's Rough Gems 2025 Program - guest curated by Rae Richards

    Rough Gems 2025 - Transnavigation: Coming Into the Body as Home

    January 16 — February 8, 2025

    Curated by Rae Richards, Transnavigation investigates how trans jewelers are navigating their bodies and the world their bodies exist in—whether through reinterpreting tools, inventing alternate ways of being, revisiting ancestral practices.

  • Large, colorful painting on canvas with geometric shapes, branded symbols, and environmental themes by Diego Florez-Arroyo made for his 2024 solo exhibition at Union Hall

    Diego Florez-Arroyo: WARNING: Mi Amá

    October 31, 2024 – January 4, 2025

    WARNING: Mi Amá is a collection of new work by Denver poet, artist, and musician Diego Florez-Arroyo that explores the deep, innate connection between humans and the concept of “mother” in all its forms—biological, earth, and spiritual.

  • Miniature room designed from paper and mixed media by Kate Stone as seen in the 2024 two-person exhibition at Union Hall "Living Room," with Saul Acevedo Gomez.

    Living Rooms

    August 22 — October 19, 2024

    Living Rooms delves into the dual perspectives of Denver, CO artist Saul Acevedo Gomez and Brooklyn, NY animator Kate Stone, offering two unique lenses to ponder the many hidden narratives woven into our surroundings. The artwork melds abstract elements with everyday motifs, aiming to reshape and redefine both.

  • A group of people dance in a smoke-filled room with colorful lights as part of the performance Never In Our Image, produced by Stephanie Mercedes. Photo courtesy of Amir Pourmand.

    The Center Cannot Hold

    June 13 — August 10, 2024

    Fitz J. Lewis, Sara Rockinger, and Stephanie Mercedes engage with themes of gun violence, war, and cultural conditioning. Featuring a combination of performance, sculpture, and textile art, the collection of works questions societal norms, explores personal experiences and challenges the glorification of guns and war in our culture. The exhibition critically examines these issues and attempts to transform symbols of violence and loss into expressions of beauty, art, and transformation.

  • Paper cutout artwork depicting a burning bush with an angel atop by Cory Feder - as seen in Union Hall's 2024 exhibition The Obstacle is the Path.

    The Obstacle is the Path

    May 2 — June 1, 2024

    The Obstacle is the Path seeks to highlight some of the talent and innovation of the artists and curators who have been essential to our journey over the past five years. Inspired by the philosophy of Marcus Aurelius, who famously said, "What stands in the way becomes the way," this exhibition commemorates Union Hall's 5th Anniversary by delving into this timeless concept.

  • Brightly painted rocking horse sculpture by Gabriel Hutchings - as seen in Union Hall's 2024 Rough Gems Program exhibition Laugh Lines - guest curated by Zak Ashburn

    Rough Gems 2024: Laugh Lines

    March 28 - April 20, 2024

    Curated by Zak Ashburn, Laugh Lines is a thought-provoking and transformative group exhibition that challenges societal norms through the lens of humor. This dynamic showcase delves into cultural critiques, using humor as a multilayered tool to expose truth, darkness, love, and more.

  • Multi-media installation with beaded textiles and a swan sculptures by Lindsey Gustave Smith surrounded by a dried floral arrangement created by Aurther Williams - as seen in Union Hall's 2024 exhibition To Offer/To Leave

    Rough Gems 2024: To Offer/To Leave

    February 22 — March 16, 2024

    Curated by Kiera McIntosh, To Offer/To Leave, aesthetically and thematically inspired by the tales of Shakespeare’s character Ophelia and Tchaikovsky’s Swan Lake, showcases a moment in time after a decision of withdrawal has been made. Through the thoughtful inclusion of light, sound, and aromatic sculpture the viewer plays witness to the tale before them within a space contemplation.

  • Exhibition installation view of Dirty Abstraction - guest curated by Jennifer Lord for Union Hall's 2024 Rough Gems Program

    Rough Gems 2024: Dirty Abstraction

    January 18 — February 10, 2024

    Curated by Jennifer Lord, Dirty Abstraction proposes an abstraction that communicates and contains cultural, ecological, political, and/or spiritual content. It is abstraction that pushes against traditional notions of pure form and into critical content. The exhibition explores the contradiction of does it matter / it doesn’t matter how much the viewer gets.

  • Surreal, colorful figurative painting of a person pinning another person onto the floor with their hands over their head by Vinni Alfonso - as seen in Union Hall's exhibition Through Flesh to Infinity with A Grix

    Through Flesh to Infinity

    November 2, 2024 — January 6, 2024

    A two-person exhibition of sculptures and paintings by Boulder artist A Grix, and Denver artist Vinni Alfonso. Through Flesh to Infinity conveys the nuances of opposing ideas coexisting within a single being, embodying figurative and non-figurative expressions, akin to the intertwined nature of bodily functions and spiritual expansion.

  • Painting of a young women with long, brown, wavy hair resting on a chair with her eyes closed in a dimly lit room that glows from a soft, yellow lamp

    As You Are

    September 21 — October 21, 2023

    As You Are invites viewers to explore the human experience through the eyes and hands of three young emerging artists. With a rich palette of oil paintings and colored pencil drawings, the collection of portraits bears witness to resilience that emerges from embracing authenticity and self-acceptance. The works delve into generational pressures, grapple with shame, imposter syndrome and celebrate imperfections.

  • A person (Jenna Maurice) embraces a towering, saguaro cactus, alone in a desert , surrounded by blue sky and endless cactus

    Traverse

    July 13 — September 9, 2023

    In conjunction with Denver’s inaugural Month of Video (.MOV), Traverse delves into the notions of journey and identity in a landscape, fusing performance and video work to investigate the relationship between the environment and one's self. In dialogue with the landscape, artists use a symbolic and physical passage to rewrite a narrative, question ideologies, evince transformation, and shift perspective.

  • A handmade wooden peddle boat in the middle of a gallery, surrounded by wall-hanging mechanical artworks

    Tender Machines

    May 4 — July 1, 2023

    Experimental machinations remain an extension of our desires and demonstrate how we use technology to fulfill quirky human needs. These curious machines aim to achieve creative and tender objectives, merging our complex human inclinations with mechanical logic. Artists attempt and perform mechanical prose through an assemblage of interactivity, performance, and ingenuity, some of which draw inspiration from automata and early robots.

  • Human inside a transparent plastic installation outdoors on a bright, cloudy day. Artwork by Dennis Doyle as a part of Union Hall's 2023 Rough Gems Program - Against Nature guest curated by Shawn C. Simmons

    Rough Gems 2023: Against Nature

    March 30 — April 22, 2023

    Curated by Shawn C. Simmons, Against Nature explores the emerging field of queer ecology in response to prevailing ideas of human versus nature. As we face the climate crisis of today and tomorrow, each featured artist enacts their own utopian vision by reimagining the relationship between queer identity and nature.

  • Adorned pink roller blade with green wheels - artwork by Lizeth Guadalupe - as seen in The Ultimate Boon exhibition as a part of Union Hall's 2023 Rough Gems Program - guest curated by Florence Blackwell and Nadiya Jackson

    Rough Gems 2023: The Ultimate Boon

    February 23 — March 18, 2023

    In conjunction with Denver’s Month of Photography celebration in March 2023, co-curators Nadiya Jackson and Florence Blackwell introduce five artists who have utilized their art to navigate various life-altering experiences to reach their boon. Boon (noun) is a thing that is helpful or beneficial.

  • Furniture placed in a semi-circle in a darkly lit room with multi-media artwork on the walls as a part of the 2023 Rough Gems exhibition Sacrum at Union Hall

    Rough Gems 2023: Sacrum

    January 19 — February 11, 2023

    Curated by Jenny Nagashima, Sacrum unravels the layers of intimacy surrounding the universal yet unnamable sensations experienced in the womb and the complications that arise in the pursuit of recreating those feelings in our daily lives.

  • Sweaty, ceramic sculpture with angry eyes and a mouth by Juntae TeeJay Hwang as a part of his solo exhibition at Union Hall, Sweaty Wedding

    Juntae TeeJay Hwang: Sweaty Wedding

    November 10, 2022 – January 11, 2023

    A solo exhibition showcasing a new ceramic sculpture series by Juntae TeeJay Hwang. Through the ceremony and pomp of a wedding, TeeJay alludes to the stress and anxiety that comes from being on display and the emotional labor exerted in everyday life that is often invisible yet holds familial and societal structures together.

  • Large and small scale paintings hang from brightly lit, dark gallery walls for the exhibition One Foot in the Grave at Union Hall

    One Foot in the Grave

    September 29 – October 29, 2022

    Esther Hernandez’s debut exhibition as Union Hall’s new Chief Curator. Featuring several local and national artists, One Foot in the Grave explores themes of the afterlife, with works that playfully celebrate human fallibility and our temporal lives' messy, unconventional beauty.

  • Realistic family portrait of two men and a dog licking one of their faces with an impressionistic nature background by Robert Martin as seen the Union Hall exhibition, The Story of You + Me

    the story of you + me

    July 21 — September 17, 2022

    Curated by Robert Martin, the featured artists in the story of you + me — Erickson Díaz-Cortés, Jordan Ramsey Ismaiel, Em Van Loan, and Robert Martin — have created work about and inspired by their intimate relationships; both with others and with themselves. Documenting the quieter and sometimes deeper moments of love and light, the exhibition is indulgent in earnestness and sentimentality.

  • Digital artic landscape rendering inside of a glowing oval shape by Melanie Clemmons and Zak Loyd for the AURA exhibition at Union Hall, co-presented with Denver Film

    AURA

    May 13 — July 9, 2022

    Curated by Eriko Tsogo and presented in partnership between Denver Film and Union Hall, AURA explores the interdisciplinary territory of art and technology – presenting a mix of traditional and experimental art forms that challenge the possibilities of creative innovation.

  • Custom beaded crop top with abstract design by Salihah Moore - as seen in Union Hall's 2022 Rough Gems exhibition Made Known - guest curated by Nate Craig

    Rough Gems 2022: Made Known

    March 31 — April 23, 2022

    Curated by Nate Craig, the makers, artists, and artisans place themselves, their story, and personhood so intimately into their craft that it is impossible to separate the maker from object.

  • Upcycled organic materials installed on a white wall by Martha Russo - as seen in Union Hall's 2022 Rough Gems exhibition Virga - guest curated by Brook Vann and A Grix - photo courtesy of Wes Magyar

    Rough Gems 2022: VIRGA

    February 24 — March 19, 2022

    Curated by Brook Vann and A Grix, Virga is a collaborative curatorial project based on a relationship between selected artists’ work and the meteorological phenomena of the Virga Cloud.

  • Colorful pencil drawing by Alli Lemon as seen in the exhibition Perception Shift - guest curated by Amy Hoagland for Union Hall's Rough Gems 2022 Program

    Rough Gems 2022: Perception Shift

    January 20 — February 12, 2022

    Curated by Amy Hoagland, Perception Shift investigates how different materials — projected light, shadow, ceramic, graphite, glass, and metal — can work alongside each other to shift the viewer’s way of seeing.

  • Still Image of glowing, purple, celestial shape 3D Rendering by Cherish Marquez for the Voices of the Desert exhibition at Union Hall

    Cherish Marquez: Voices of the Desert

    November 18, 2021 — January 8, 2022

    Voices of the Desert is Denver-based artist Cherish Marquez’s first solo exhibition presents a series of videos, animations, augmented reality filters, still images and installations exploring environmental justice, mysticism, and healing from generational trauma.

  • Installation view of floor sculptures and wall-hanging paintings and textiles by Jason Abrams, Madeline Job, Eseosa Edebiri, Alexander Richard Wilson, and Cory Feder as a part of the Chain Letter exhibition at Union Hall

    Chain Letter

    September 9 — November 6, 2021

    Chain Letter is a group exhibition co-curated by artist Alexander Richard Wilson and Ari Myers. Chain Letter comes as an effort at correlating the depictions and sensations held in form by a collection of artists connected in age, friendship, and an experience of communal loss.

  • A women holds her painted hands up to a white wall, making black handprint marks as a part of the Matter is Minimum Exhibition - photo courtesy of Summer Taylor

    MATTER IS MINIMUM

    July 29 — August 28, 2021

    The first exhibition focusing on the multidisciplinary project They Rage, organized by photographer Summer Taylor and facilitator Shammai Mading. MATTER IS MINIMUM includes images and audio made during the summer of 2020, when They Rage conducted a series of interviews with black and brown women and non-binary people in Denver, providing space for the expression of of their anger.

  • A young women embraces her lover from the side (Chella Man) and take a mirror portrait photograph of them with a film camera

    MaryV — Loving You: Documenting Kia Lopez and Chella Man

    May 14 — July 10, 2021

    Loving You is a solo exhibition featuring the photographic work and performance art of MaryV, a 23-year-old artist based in Brooklyn, New York. The exhibition consists of analog photography from two ongoing bodies of work that document the transitions of Kia Lopez (she/her), MaryV’s childhood friend; and Chella Man (he/him), her partner of over four years.

  • Daniel M. Granitto, Marco Cousins, Alejandra Abad in Object Empathy exhibition installation view - guest curated by Kiah Butcher at Union Hall - Rough Gems 2021

    Rough Gems 2021: Object Empathy

    April 1 — April 24, 2021

    Curated by Kiah Butcher, Object Empathy features three Colorado-based artists whose work explores and reimagines sentimentality through intimate and personal practices. Alongside their artworks, personal effects are displayed as ‘human artifacts’ building a bridge between empathy and objectivity.

  • Mirror Mirror exhibition installation view - guest curated by Genevieve Waller and Mary Grace (MG) Bernard at Union Hall - Rough Gems 2021

    Rough Gems 2021: Mirror Mirror

    February 25 — March 20, 2021

    In conjunction with Denver’s Month of Photography celebration in March 2021, co-curators Genevieve Waller and Mary Grace Bernard present an exhibition of photography, collage and film works by six local artists. Referring to the well-known phrase of the evil stepmother in the Brothers Grimm version of Snow White, the exhibition title conjures ideas of representation, magic, power and narrative.

  • Exclamation Point. exhibition installation view - curated by Alli Lemon at Union Hall for the Rough Gems 2021 Program

    Rough Gems 2021: Exclamation Point.

    January 21 — February 13, 2021

    Curated by Alli Lemon, the works included in Exclamation Point. explore play, joy, rigor, and what it means to make a “painting” in 2021.

  • Erika Osborne

    Co-Terminous

    October 22 — January 9, 2021

    Curated by Erin Espelie, the artists here work to illuminate indiscernible thresholds, subtle rhythms of horizons, watermarks of catastrophe. Our fortunes, our fates, our borders, our bodies are all co-terminous.

  • Exhibtion installation view of artwork on the floor and walls of Union Hall - Robert Martin guest curator for the Rough Gems 2020 Program

    Rough Gems 2020: There is really no difference between art and prayer

    February 26 — March 12, 2020

    Curated by Robert Martin, this exhibition utilizes the subtle strategies employed for display throughout the canon of religious art; such as hanging work slightly above eye level to evoke awe and spotlighting singular works by centering them independently at the ends of corridors, transforming Union Hall into a cathedral of artistic sanctity.

  • NEUwave exhibition installation view - guest curator Kyle Lane at Union Hall-Rough Gems 2020 program

    Rough Gems 2020: NEUwave

    February 5 — February 20, 2020

    NEUwave is a dissertation on motion and emotion, intimacy and peace, connectivity and duality, nurturing and nourishment, self love and self healing. A translation through the lens of poetry, paintings, photography and sound. An introduction to the evolution of the progressive being.

  • Literally Behind exhibition installation view - guest curated by George Perez at Union Hall - Rough Gems 2020 program

    Rough Gems 2020: Literally Behind

    January 15 — January 30, 2020

    Curated by George P. Perez, Literally Behind plays with interior space by utilizing absurd placements of artworks to establish a dynamic and exaggerated installation with domestic materials.

  • String art forms the word "Unity"

    Words For Our Country

    August 15 — October 12, 2020

    Inspired by Union Hall’s Poems for our Country exhibition held in November 2019, Words for our Country is a community-driven project that takes your words, quotes, stories, anecdotes (and whatever is on your mind!), and turns it into art

  • Visual poems on textiles suspend from a black box gallery ceiling and are lit under bright spotlights

    Poems for our Country

    November 14, 2019 — January 11, 2020

    An exhibition of commissioned artworks featuring artists with a text- or textile-focused practice, based both locally and nationally. Given the prompt “Poems for Our Country,” the artists featured in this exhibition were asked to lend their voices by creating a banner containing a slogan, message, or sentiment for the year to come.

  • 5 hanging wall panel artworks by Elspeth Schulze are glowing under gallery lights at Union Hall

    in land, in body

    October 25 — November 9, 2019

    A two week pop-up exhibition curated by Sarah McCormick, in land, in body presented new works from four Boulder-based artists which explore the threads connecting human and non-human bodies.

  • Two people wearing VR headsets press their bodies against each other while wearing futuristic white suits surrounded by a field in nature

    Desert of the Real — Mars in Scorpio

    September 5 — Ocotober 19, 2019

    A fashion-focused exhibition blending the egalitarian approach of streetwear with high-concept editorial photography and immersive presentation methods.

  • Exhibition installation view of a carved mirror, floating wood, and more artwork by Carissa Samaniego and Matthew Smith in The Spirit of the Flame exhibition at Union Hall

    The Spirit in The Flame — Carissa Samaniego + Matthew Smith

    July 12 — August 24, 2019

    An exhibition of new works by Denver-based artists, focused on place-based storytelling through sculptural objects.

  • Large scale figurative paintings of nude women in mystical landscapes by Deborah Brown for Union Hall's inagural exhibition,  A land more kind than home

    A land more kind than home — Deborah Brown

    May 21 — June 29, 2019

    Union Hall’s inaugural exhibition, showcasing figural landscape paintings by Brooklyn-based artist Deborah Brown.

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